You Can't Have That: The Art & History of Beatboxing

"Yeah but...HE AIN'T NICE LIKE JUSTIN TIMBERLAKE!" I never understood why adults wanted to slap the shit out of teenagers on principle until that moment. I was on the bus with some cookie cutter wiggas (don't like the word but can't find another one that fits...) and heard the tail end of a conversation about BEATBOXING and JT was being considered as ONE OF THE BEST? If you want to pretend to know about a culture you so recklessly steal from, at least watch some old stuff or crack a book. The knowledge is out there. The legends deserve better than this.

Modern Beatboxing (the true 5th element of Hip-Hop) really took hold in the early 80's. A young MC by the name of Doug E. Fresh appeared on a single called Pass the Budda with Spoonie G. in 1983. Fresh would claim that he invented beatboxing even before the release of that single. Fresh was known for his rapid and deep bass sound as well as his tongue clicks. Now there is dispute and even a little friendly beef from back then as Darren "Buffy" Robinson of the Fat Boys had come out around the same time and was called "The Human Beat Box". It was his style that helped the then Disco 3 win a talent contest and record contract. Robinson's sound was very bass heavy and relied more on heavy exhaling and clapping his hands closely to his lips. It was unique in that he liked to talk and say his name while doing it. In the legendary La-Di-Da-Di/The Show single, The Get Fresh Crew (Chill Will, Barry B. and Slick Rick) referred to Doug as "The Original Human Beatbox". For many years, these two were the standard that all were measured by.

The Holy Trinity: Darren "Buffy" Robinson, Biz Markie & Doug E. Fresh

As the 80's rolled on, a young DJ by the name of Biz Markie started beat boxing for Roxanne Shante and a group of friends known as the Juice Crew. Biz did the usual bass, treble and clicks as the guys before him but by adding what looked like a light chop to his throat, he was able to greatly distort the sound that came out. He would often name his crew, himself and other things while "choppin" and later mimiced beats from popular songs by artists like Nu Shooz and Whistle. This inspired a whole new legion of beatboxers to try and improve upon what the men before them did and catapulted it to the mainstream. It is being kept alive today by innovators like Rahzel, Kenny Muhammed, Click The Supah Latin and a host of others.

For a real treat, try to pick up or rent Breath Control: The History of the Human Beatbox, a documentary by Joey Garfield. It has interviews from the aforementioned trinity and other experts at their craft such as Emanon, D.O.A. and Scratch. It feels short at 73 minutes but it's crammed full of good info and anecdotes. And to those Ecko wearing walking stand up routines, Justin Timberlake is NOT Hip-Hop! Those two idiots in the McDonald's commercial are NOT Hip-Hop! Sweater vest from American Idol IS NOT HIP-HOP! Don't let some corporate a-hole from the 'burbs tell you what is. Know your history and respect the culture. As a favor, I've included a Beatbox Sampler that includes:

Stick 'Em-The FatBoys: Buff overhsadows the 'Boys with a fierce beat boxing sessions that starts off with his version of The Star Bangled Banner.

La-Di-Da-Di-The Get Fresh Crew:The seminal hit which features Doug's signature bass and clicks.

A-One-Two-Biz Markie: The Inhuman Orchestra starts off with the naming of his crew but then gets ridiculous by singing in between and doing his versions of Just Buggin' and I Can't Wait.

One.

...And It's Still All Good Presents: Da Beat Box Sampla

http://www.badongo.com/file/4690997